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Alex Pletcher

  • Branding & Art Direction
  • Entertainment Design
  • Resume
  • Contact

Art Direction — Camp Abercorn (Pilot)

Camp Abercorn
2014
Gray Oaks Productions

Director: Jeffrey Simon
Written By: Jeffrey Simon, Matthew Andrews, Meg Grgurich
Director of Photography: Alex Parker
Production Designer: Ryan Grossheim
UPM: Steven Kung

Camp Abercorn is a new series following the staff of a "Compass Guide" camp gives us a heartfelt look at the power of brotherhood, the beauty of the American wilderness, and the path to self-discovery.

Art Director — The Empty Morning

The Empty Morning
2013

Director, Writer: Carina Rosanna Tautu
Executive Producers: Reno Wilson; Mona Garcea
Producer: Natalie Metzger
Production Designer: Marika Stephens

Art Department Assistant — Daybreak

Daybreak
2012
AT&T Campaign/BBDO
RSA Films

Director: Jon Cassar
Written By: David Carter, Greg Hahn, Tim Kring
Production Designer: Stuart Blatt
Art Director: Cameron Birnie
Set Decorator: Karen O'Hara
Construction Coordinator: Jordan Calaway 
Graphic Designer: Colie Buck
Art Department Coordinator: Marika Stephens

Scenic Design — Nozze di Figaro

2018
The Robert L.B. Tobin Director-Designer Showcase with OPERA America Contest Submission

Director: Benjamin Cortez
Costume Designer: Marco Contino
Dramaturgy: Martin Verdross

Americans are more at odds than ever. Nozze di Figaro—originally a satire on class division and conflict of interest—divides the characters into Democrats and Republicans and sets them up inside a cutaway of the White House together with a group of puppeteer-like extras who, between manipulation and support, guide them through a stormy journey towards unity and understanding. Mozart’s domestic comedy interpreted on a political level narrates the dilemma of our decade.

Scenic Design — Manon Lescaut

2017
Camerata Nuova European Opera-directing Prize Contest Submission

Director: Benjamin Cortez
Costume Designer: Dorothee Joisten

Manon Lescaut is unsettled in her identity. Rather than “take the veil” as a nun, she tries on many other veils in the form of social media apps, ultimately to her detriment. The stage is set in present day Europe with a proscenium flanked by projection screens that depict the screens of our character’s smartphones. Our concept comments how users succumb to a lack of self-identity in a society that substitutes true human interaction with social media.

Assistant Scenic Design & Studio Assistance — Mac Moc Design

One of my favorite experiences to date, I am honored to have worked with studio founders Cameron and Emily on several Operas all over the country. My duties as a studio assistant included computer drafting, 3d modeling, 3d rendering and model building. As an assistant designer I worked closely with technical directors and the crew to ensure quality of work from load-in to opening night.

Set Designer — Pack Up the Moon

Pack Up the Moon
2013
Brimmer Street Theatre Co.
The Lounge Theatre | Los Angeles, CA

Director: Amy K. Harmon
Playwright: Christina Cigala
Scenic Designer: Alex Pletcher
Costume Designer: Amy Sobotta
Lighting Designer: Haylee Freeman
Sound Designer: Cricket Myers 
Props Master: Nichole Ortiz
Stage Manager: Kathryn Eipl

Produced by, Jenny Byrd & Jefferson Byrd

In Pack Up the Moon, a gay couple gets a second chance at fatherhood when a relative shows up at the door. A play about grief, love, sex, and moving on, Pack Up The Moon reminds us that families come in all kinds these days.

World Premiere

Costume Design, SWEAT

SWEAT
2020
Profile Theatre
Imago Theatre | Portland, OR

Director: Christopher Acebo
Playwright: Lynn Nottage
Scenic Designer: Peter Ksander
Costume Designer: Alex Pletcher
Lighting Designer: Kristeen Willis
Sound Designer: Rodolfo Ortega
Props Master: Danny Gray
Wig Designer: Kendell Huxley
Stage Manager: Stephanie Mulligan
Makeup Artist, Production Assistant: Breydon Little

Photographer: David Kinder


2020 Drammy Award Nomination for Outstanding Costume Design

”Profile’s January production of the Pulitzer-winning Lynn Nottage play was a testament to the power of speaking plainly. The set, by Peter Ksander, was perfect: a Pennsylvania bar whose existence you bought. The costumes, by Alex Pletcher, were spot-on early-aughts period, Big Dog and all.”
-”Best Oregon Made Culture of 2020”, Portland Monthly

Costume Design — Let Me Down Easy

Let Me Down Easy
2019
Profile Theatre
Portland Playhouse | Portland, OR

Directed by Josh Hecht
Costume design by Alex Pletcher
Scenic & lighting design by Daniel Meeker
Playwright: Anna Deavere Smith 
Sound Designer: Matt Wiens
Props Master: Kyra Sanford
Stage Manager: Karen Hill
Assistant Stage Manager: Breydon Little

Photos by Brud Giles

Costume Design — I and You

I and You
2018
Artists Repertory Theatre
Morrison Theater | Portland, OR

Director: JoAnn Johnson
Playwright: Lauren Gunderson
Scenic Designer: Tim Stapleton
Costume Designer: Alex Pletcher
Lighting Designer: Kristeen Willis Crosser 
Sound Designer: Sharath Patel 
Props Master: Emily Wilken
Assistant Scenic Designer: Samie Pfeifer
Dramaturg: Luan Schooler
Resident Stage Manager: Michelle Jazuk

Photography: Russell J Young

"Big-hearted and simple, I and You is one of the most life-affirming plays you'll currently see onstage." - TheaterMania

Costume Design — Unit Souzou

Unit Souzou
2017
North American Taiko Conference
Mandeville Auditorium | La Jolla, CA

Co-Directors: Michelle Fujii & Toru Watanabe

'Souzou' can be written in three ways meaning 'creation' (創造), 'imagination' (想像), or 'noisy' (騒々), alluding to a force by which new ideas are born and take shape in the world. Inspired by these words, the mission of Unit Souzou is to build creative, imaginative works while honoring the history and roots of the taiko art form. The core of Unit Souzou’s artistic voice is personal and authentic, sound shaped and inspired by form and by movement. The essence of Unit Souzou is an expressive blend of taiko and Japanese folk dance, forging new traditions for evolving communities.

Assistant Costume Design, Studio Assistance — Sarah Gahagan

2014-2017

I had the great pleasure of assisting award-winning costume designer Sarah Gahagan in her design studio. Duties included patterning, cutting, stitching, fitting actors, dye and craft work, and participating in production meetings as her proxy when she was unable to attend.

Pre-Visualization — 3D Modeling & Rendering

V-Ray, Vectorworks, Rhino, and 3ds Max work samples

Pre-Visualization, Sketches & Renderings

Pencil, Watercolor, Marker, Photoshop & Illustrator work samples

Drafting Samples

AutoCAD, Rhino & Vectorworks work samples

Art Direction — Camp Abercorn (Pilot)

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Art Director — The Empty Morning

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Art Department Assistant — Daybreak

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Scenic Design — Nozze di Figaro

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Scenic Design — Manon Lescaut

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Assistant Scenic Design & Studio Assistance — Mac Moc Design

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Set Designer — Pack Up the Moon

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Costume Design, SWEAT

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Costume Design — Let Me Down Easy

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Costume Design — I and You

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Costume Design — Unit Souzou

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Assistant Costume Design, Studio Assistance — Sarah Gahagan

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Pre-Visualization — 3D Modeling & Rendering

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Pre-Visualization, Sketches & Renderings

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Drafting Samples

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